Lust for Life

Kirk Douglas' finest performance, is fraught with peril. Anthony Quinn, who won an Oscar for his portrayal of Paul Gauguin, is superb. The script, some of which was taken from Van Gogh himself, is sometimes dated but always poignant: "Sometimes the pictures come to me as if in a dream, with a terrible lucidity." BRILLIANT!!

Unfortunately the VHS format is fullscreen which begs the question; WHY IS THIS MASTERPIECE UNAVAILABLE IN WIDESCREEN ON DVD!?! What a cultural wasteland: I could probably find ERNEST GOES TO CAMP on DVD, but try to find this CLASSIC and the clerk at the local HOLLYWOOD VIDEO might say, "LUST FOR LIFE? That would probably be in the Adult Film Section." I hope someone is working hard to preserve this Masterpiece. Anything less would be a shame. My VHS tape has been viewed so many times the magnetic particles are starting to fall off. If the DVD doesn't come out soon I'll be forced to buy another copy on VHS.(SIGH)


"I want to create things that touch people"   June 1, 2004
Alejandra Vernon (Long Beach, California)
25 out of 28 found this review helpful

With an uncanny resemblance to the self-portraits of Vincent Van Gogh, Kirk Douglas is perfect for this detailed and wonderful production of the artist's life; it's a passionate performance of a troubled soul, whose creative urges battled with his mental illness.
The film has an intelligent script by Norman Corwin, based on Irving Stone's biographical novel. It picks up the story around 1879, when Van Gogh was 26 years old, and went to minister (unsuccessfully) to the coal miners of a destitute area, and from there takes us through his many different abodes, his relationship with "Christine", who is well played by Pamela Brown, and the flourishing of his art in his last 15 years of life.

The art direction is superb, and the recreations of the places Van Gogh painted a marvel, among them the famous yellow house he lived in and its bedroom, and my favorite, the pool hall, with its hanging lamps.
The cinematography by Freddy Young and Russell Harlan is terrific, and we get many full screen views of the original paintings, many of them lesser known pieces from private collections.

This was a multi-award winning film, and garnered an Best Supporting Actor Oscar for Anthony Quinn, who is fabulous as Paul Gauguin, whose personality was the complete opposite of his friend Van Gogh; the ego clashes when they attempted to live together are well illustrated in several scenes, and with a little addition to his nose, Quinn has been made to look exactly like Gauguin's famous self-portrait with the snake.
James Donald is excellent as Vincent's patient and generous brother, who was Van Gogh's central means of support for most of his lifetime, both financially and of his paintings.
A tremendous knowledge about art went into this film, and it's one of the best artist biographies ever put to film (another good one also came from a Stone best seller, "The Agony and the Ecstasy"), and is a must-see for artists and anyone with an interest in Van Gogh's genius. Total running time is 122 minutes.


A flawed classic   April 1, 1999
David Brooks (Toronto, Ontario Canada)
14 out of 20 found this review helpful

Many people consider this to be the standard when it comes to retelling the tragic story of Vincent van Gogh's life.

The film is very good and there's no question that director Vincente Minnelli put a tremendous amount of work into bringing Van Gogh to the screen. The sets and costumes are wonderful.

I suppose that my main criticism of the film is that its "heart" seems to be more firmly set in 1950's Hollywood than in 1880's Europe. In other words, the film has a very constructed, American flavour to it. This is most glaring when many of the scenes shift from Kirk Douglas on the screen (clearly American) to a narrative reading of his letters to his brother, Theo (read by a British narrator)--very jarring. Kirk's performance, though very good, never quite "clinches" the role--he remains a very good actor on a very pretty set.

But certainly I would recommend this film to anyone with an interest in Van Gogh--not a perfect movie by any means, but there are moments that are quite remarkable.


Tortured Genius   August 7, 2001
Linda McDonnell (Brooklyn, U.S.A)
12 out of 13 found this review helpful

I would wager that this is really the best work Vincente Minnelli ever did, in spite of his reputation as the famous director of MGM Judy Garland musicals. "Lust for Life" has a power and pathos to it that is seldom matched in biographical movies. The story of Vincent Van Gogh's struggle to paint and find companionship is beautifully brought to life here. And of course, that is due to superstar Kirk Douglas' intensity as the tortured artist. The scenes he plays with Anthony Quinn's Paul Gaugin are so touching, as even Gaugin (a very hard person) must acknowledge how sad Vincent's longing for a friend is.Highlighting the film also are the color depictions of many of Van Gogh's canvases, raw in color and emotion, a testament to a man who didn't know how to do anything by halves, but gave his whole heart and soul to everything he did and everyone he loved, whether reciprocated or not.


A Film that is Timeless   June 29, 2000
mary s. interrante (chicago, il USA)
11 out of 13 found this review helpful

I've seen this movie many times since I was young, but it always seem like I'm seeing it for the first time. Kirk Douglas is magnificent as the tortured Vincent, full of passion and pain. He is very convincing throughout the entire film. It's amazing that, back in 1956, a film that lasted 2 hours made every moment relevant. Today, many films that last 2 hours are just plain boring. The music was just beautiful, and it enhanced his paintings and segments of life. Anthony Quinn, as Gaugain, was good, but I think Kirk Douglas should have won an award. There's so much tension in his character, and so much sadness and desparation in his character. You really grow to love him despite his failings. His brother Theo was admirable in his devotion to Vincent. This film is one that can be seen by everyone, regardless of age, as a memorial to an artist who struggled despite the tragic outcome.