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The Dark Knight Limited Edition

The Dark Knight Limited Edition
Creators: Hans Zimmer, James Newton Howard
Label: Warner Bros.

List Price: $23.98
Buy New: $16.67
You Save: $7.31 (30%)



New (33) Used (10) from $10.82

Rating: 4.5 out of 5 stars 32 reviews
Sales Rank: 2146

Format: Limited Edition, Soundtrack, Special Edition
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.2

MPN: 511103
UPC: 093624985983
EAN: 0093624985983
ASIN: B001AHM2C6

Release Date: July 15, 2008
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 1-2 business days

Tracks:

  • Why So Serious?
  • I'm Not A Hero
  • Harvey Two-Face
  • Aggressive Expansion
  • Always A Catch
  • Blood On My Hands
  • A Little Push
  • Like A Dog Chasing Cars
  • I Am The Batman
  • And I Thought My Jokes Were Bad
  • Agent Of Chaos
  • Introduce A Little Anarchy
  • Watch The World Burn
  • A Dark Knight

Similar Items:

  • The Dark Knight: Featuring Production Art and Full Shooting Script
  • Batman Begins (Widescreen Edition)
  • The Incredible Hulk
  • The Dark Knight (+ Digital Copy and BD Live) [Blu-ray]
  • Iron Man (Single-Disc Edition)

Editorial Reviews:

Album Description
Special Edition Digipak of The Dark Knight. This Original Motion Picture Soundtrack returns with the ASCAP winning composers from Batman Begins- Academy Award winner Hans Zimmer and seven time Oscar nominee James Newton Howard- for a powerful orchestral score.


Customer Reviews:   Read 27 more reviews...

4 out of 5 stars Comparison of regular version vs. limited edition   July 15, 2008
eric_f (Boston, MA)
256 out of 257 found this review helpful

While this soundtrack score didn't blow me away, I think it's certainly a worthy addition to the "Batman" catalog of scores as well as fitting music for "The Dark Knight." I find track 3, "Harvey Two-Face," to easily be the best track here...almost a ballad so to speak, and yet flows with the rest of the album. This score isn't significantly different than the music of "Batman Begins" but then again, exploring some familiar territory adds a sense of continuity between the films. After all, this is a sequel.

I purchased both the regular version as well as the limited edition today, so I'll now give some comparisons for those of you undecided about which to buy:

-Track listing is identical for both. No bonus track on limited edition. Certainly would have been nice, but alas.

-Although the 2 versions have different cover art, note that the inside booklet of the limited edition has the same cover art as the regular version, as it's the exact same booklet. Booklet itself is the typical kind with various photos and album credits.

-Regular version has an exclusive photo of Batman looking at a wall covered with "HA HA HA" all over it, whereas limited edition has an exclusive 3-way fold-out collage photo of Joker playing cards with Batman in the middle vandalized with red lipstick. In addition, limited edition version has a very cool exclusive photo of the Joker walking down a street with his back to us, holding a playing card in one hand and a knife behind his back with the other.

-Limited edition version comes with 3 two-sided trading cards containing photos of Batman, Joker and Harvey Dent.

To sum up, the limited edition version doesn't offer that much more than the regular version, and is only worth getting for the novelty of a limited edition collectible, or if you're a die-hard fan of the film.



5 out of 5 stars Hans Zimmer & James Newton Howard Return With A Superb And More Grounded Score   July 17, 2008
Kaya Savas (Baltimore, MD USA)
23 out of 23 found this review helpful

The score for The Dark Knight is in one word, incredible. Zimmer and Howard have crafted a complete soundscape for this character and the world he exists in. I love the original Batman Begins score to death and the only way that this score surpasses the previous one is that it feels more grounded. The characters and world are already established so the score has something to build off of.

The two-note motif has already become iconic and synonymous with Batman. With this score we get two new themes. The first one is the new motif for The Joker. It's only one note and Hans spent 3 months fine tuning it to become the perfect sound. The first track is pretty much all of The Joker's music. It's harsh, industrial and gritty and I love it. It works so well even if you are more of a traditional score fan and don't like it one cannot deny how well it works with the image.

James Newton Howard was in charge of Harvey Dent. This music had to represent a fallen idol; someone who was good but became corrupted. So tragic is a word that can be used to describe it. It's very emotional. It stands apart from the intense action music in the score and is really wonderful. The emotional arc of it takes you from light to dark, it's great scoring.

Fans of Hans Zimmer and/or James Newton Howard will be extremely pleased with this score (I very much am). Hans' structure and style is heard well throughout. The score pulses with intensity very much like the original. There is really NO downtime on this entire album. The music carries you every step of the way, the listen on its own is a journey in itself. Now and then you will hear the 1-note Joker theme pop up and it indeed can get your hairs standing on end. It absorbs you and assaults you while leaving you wanting more. Hans and James both share one thing in common in that they score everything for real, meaning they aren't treating this movie as a work of fiction. They are carefully crafting an emotional story arc and building an atmosphere for it to exist in. There is no grandiose and heroic theme. Everything stands on its own and is so much powerful for doing so. The Dark Knight will be one of if not the best score of the year and will be hard to beat in terms of scope and emotional complexity.



5 out of 5 stars Fine The Dark Knight Film Score from Hans Zimmer and James Newton Howard   July 30, 2008
John Kwok (New York, NY USA)
5 out of 5 found this review helpful

Two of Hollywood's most respected, most popular, film composers, Hans Zimmer and James Newtown Howard, have joined forces in composing the most exciting film score I have heard this year not composed by John Williams. Theirs for " The Dark Knight" is quite riveting, with a substantial emphasis on a brooding, melancholy quality for much of the film's music. Indeed, I believe they've surpassed Danny Elfman in composing a score which captures so vividly, the many personal demons which beset Bruce Wayne (Batman), while also giving memorable musical motifs too to his long-time lady friend Rachel Dawes and the dashing young Gotham district attorney Harvey Dent, and, of course, the Joker. Fans of contemporary film music will surely want to add this CD to their collections; it is, without question, among the best of this year.


5 out of 5 stars The absolute best superhero score ever crafted   August 24, 2008
N. Durham (Philadelphia, PA)
4 out of 5 found this review helpful

Just like Christopher Nolan took everything he started with Batman Begins to new heights with The Dark Knight, composers Hans Zimmer and James Newton Howard take the superhero film score to new heights as well. From the creepily opening epic "Why So Serious?" to the tension-laced and hair raising "Always a Catch"; Zimmer and Howard have not only once again crafted a classic film score, but have raised the bar for superhero film scores, just as Nolan raised the bar for superhero films. The real standout of The Dark Knight's score however is the emotional "Harvey Two-Face", which depicts the tragic fall of the heroic "white knight" Harvey Dent. Other compositions, including "I'm Not a Hero", "Like a Dog Chasing Cars", "Agent of Chaos", and the grandoise closer "A Dark Knight" are masterpieces that are feasts of the ears. All in all, the soundtrack to The Dark Knight is absolutely the best superhero score ever crafted, and like the film itself, will stand as a masterwork to be cherished and imitated for years to come.


5 out of 5 stars Danny Elfman?   July 18, 2008
David Matthes (New Jersey, USA)
2 out of 5 found this review helpful

I could go on about how perfect this score was for such a dark movie...but did anyone notice any similarities to Elfman's score? Particularly in the track "I'm not a Hero"? Not that thats a bad thing at all...I think it fits perfectly.


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