Watchmen (Director's Cut + BD-Live) [Blu-ray] | ![Watchmen (Director's Cut + BD-Live) [Blu-ray]](http://ecx.images-amazon.com/images/I/514KBN4XDrL._SL500_.jpg)
| Director: Zack Snyder
Actors: Billy Crudup, Matthew Goode, Malin Akerman, Carla Gugino, Jackie Earle Haley
Studio: Warner Home Video
List Price: $35.99
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Rating:  532 reviews
Sales Rank: 491
Format: Color, Director's Cut, Special Extended Version, Widescreen, Subtitled
Languages: English (Original Language), French (Original Language), English (Subtitled), French (Subtitled), Spanish (Subtitled)
Rating: R (Restricted)
Media: Blu-ray
Region: 0
Aspect Ratio: 2.40:1
Number Of Discs: 2
Running Time: 186 Minutes
Shipping Weight (lbs): 1
Dimensions (in): 6.7 x 5.3 x 0.5
MPN: 1000089879
UPC: 883929058051
EAN: 0883929058051
ASIN: B001FB55H6
Theatrical Release Date: March 6, 2009
Release Date: July 21, 2009
Availability: Usually ships in 1-2 business days
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| Features:
| • | Someone s killing our super heroes. The year is 1985 and super heroes have banded together to respond to the murder of one of their own. They soon uncover a sinister plot that puts all of humanity in grave danger. The super heroes fight to stop the impending doom only to find themselves a target for annihilation. But, if our super heroes are gone, who will save us? Format: BLU-RAY DISC Genre |
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Product Description
Studio: Warner Home Video Release Date: 07/21/2009 Run time: 128 minutes Rating: R
Amazon.com
Everybody's favorite graphic novel comes to the screen (after years of rumors and false starts), less a roaring work of adaptation than a respectful and faithful take on a radical original. Watchmen is set in the mid-1980s, a time of increased nuclear tension between the United States and the Soviet Union, as Richard Nixon is enjoying his fifth term as president and the world's superheroes have been forcibly retired. (As you can probably tell, the mix of authentic history and alternate reality is heady.) Things begin with a bang: the mysterious high-rise murder of the Comedian (Jeffrey Dean Morgan), a masked hero with a checkered past, puts the rest of the retired superhero community on alert. The credits sequence, a series of tableaux that wittily catches us up on crime-fighting backstory, actually turns out to be the high point of the movie. Thereafter we meet the other caped and hooded avengers: the furious Rorschach (Jackie Earle Haley), the inexplicably naked Dr. Manhattan (Billy Crudup, amidst much blue-skinned, genital-swinging digital work), Silk Spectre II (Malin Akerman), Nite Owl II (Patrick Wilson), and Ozymandias (Matthew Goode). The corkscrewing storytelling, which worked well in the comic book, gives the movie the strange sense of never quite getting in gear, even as some of the episodes are arresting. Director Zack Snyder (300) doesn't try to approximate the electric impact of the original (written by Alan Moore--who declined to be credited on the movie--and illustrated by Dave Gibbons) but retains careful fidelity to his source material. That doesn't feel right, even with the generally enjoyable roll-out of anecdotes. Even less forgivable is the blah acting, excepting Jeffrey Dean Morgan (lusty) and Patrick Wilson (mellow). Watchmen certainly fills the eyes, although less so the ears: the song choices are regrettable, especially during an embarrassing mid-air coupling between Nite Owl II and Silk Spectre II as they unite their--ah--Roman numerals. In the end it feels as though a huge work of transcription has been successfully completed, which isn't the same as making a full-blooded movie experience. --Robert HortonAlso on the Blu-ray disc
The extended director's cut restores 24 minutes of connective tissue to the 162-minute film, most significantly the last scene of Hollis Mason, the first Nite Owl. Other elements help restore and fill in details that had been in the graphic novel. Fans of the film will be glad for the extra footage but there's nothing momentous that will change anyone's basic like or dislike of the film. By far the most interesting Blu-ray feature (in addition to the great picture and DTS-HD Master Audio sound) is the Maximum Movie Mode, which incorporates several features into the viewing experience. Director Zack Snyder periodically appears on screen in front of two large monitors, one continuing to play the movie and the other displaying special-effects shots or scenes from the graphic novel. Snyder talks about how he shot the film and points out details in a variety of scenes: the opening with the Comedian, Dr. Manhattan's lab, the Nite Owl ship, Mars, Antarctica, and the ending (and why it was changed for the movie). This feature is much more interesting than an audio commentary or a standard picture-in-picture commentary so it'd be nice if it had been done for more scenes. Also appearing in Maximum Movie Mode is a timeline contrasting events in the Watchmen world with the "real world," occasional picture-in-picture comments by cast and crew, still galleries, and a series of 11 "focus points" that allow you to exit the film to watch these three-minute featurettes (sets, costumes, the Minutemen, etc.). Worthy of mention is how easy the Maximum Movie Mode material is to find: Snyder's footage and the focus points are very visible (even in fast-forward), and you can also access the focus points directly from the main menu. The second disc has three documentaries. The first, "The Phenomenon: The Comic That Changed Comics," 29 min.), looks at the original graphic novel and its themes, and interviews artist Dave Gibbons, DC Comics executives Jenette Kahn and Paul Levitz, and cast and crew, illustrating its points with scenes from the movie, panels from the graphic novel, and parts of the motion comic. The next two are only on the Blu-ray disc but are less interesting and of varying relevance to the movie. "Real Superheroes, Real Vigilantes" (26 min.) examines real-life vigilantes including the Guardian Angels and New York subway gunman Bernard Goetz and compares them to Rorschach. "Mechanics: Technologies of a Future World" (17 min.) spotlights a physicist who served as a consultant on the movie. He talks about his experiences then discusses whether elements from the movie, such as Dr. Manhattan, the Owl Ship, and Rorschach's mask could really work. There's also My Chemical Romance's "Desolation Row" music video , and BD-Live offers even more making-of material. A third disc with a Digital Copy of the film (compatible with both iTunes and Windows Media; download code expires July 21, 2010) was included with early shipments of the Blu-ray disc but is no longer available. --David Horiuchi
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Showing reviews 1-5 of 532
 Additional changes for Director's Cut July 2, 2009
Senor Zoidbergo (Washington D.C.)
393 out of 412 found this review helpful
The director's cut runs about 25 minutes longer, and incorporates more elements from the comics, adds more violence, as well as more shots of Dr. Manhatten's schlong. Some of the previous scenes are reworked with additional dialogue. Information has been supported by sites such as AICN etc.
Overall, the storyline and conversations are better fleshed out, and this version is truer to the comics. The largest additional addition is that of Hollis Mason's death, which is spectacularly directed to the score of the Intermezzo from the opera Cavalleria Rusticana (think Godfather III).
(1) Rorschach gets additional dialogue, some straight from the comics.
(2) When Rorschach searches the Comedian's apartment shortly after the opening scene, he encounters two cops still stationed there. He fights briefly with them before jumping back out the window.
(3) Conversation between Dan and Rorschach (beans scene) is extended.
(4) All flashbacks extended, with the exception of Sally's.
(5) Dr. Manhatten discussing the symbol on his forehead. Additional questions in the face to face with Dr. Manhatten. Dan and Hollis watch Dr. Manhatten go crazy on their TV set.
(6) Laurie getting interrogated by the military as they try to determine Dr. M's whereabouts (on Mars). Alessandro Juliani's (Lt. Gaeta from Battlestar Galactica) scene has been reinserted. He plays one of the scientists who bursts in during the interrogation of Laurie to tell the military that they've located Dr. M on Mars.
(7) Probably the biggest addition is the depiction of Hollis Mason's death at the hands of the knot heads. Interestingly, the death is done from poor Hollis' POV, where he imagines himself fighting the gangsters of the 1940s. He delivers left and right hooks to Captain Evil, before being done in by "Moloch". The score for the death scene is very fitting.
(8) Dan taking revenge on an isolated knot head at a bar, post Hollis' death. It's a brutal revenge.
(9) The shootout by hired hitman Roy Chess is much more brutal- e.g. more blood and gore, fingers blown off.
(10) Conversation between Dr. Long and Rorschach is extended.
(11) Longer jail-break scene with arguments between Rorschach and Laurie. Prison guards open fire on Dan's ship.
(12) Longer conversation between Dr. M and L on Mars.
(13) Riot scene is longer with more conversation between the Comedian and the rioters.
(14) Agent Forbes (Fulvio Cecere) has a larger role as the government agent in charge of handling all the Watchmen.
This is THE version to get. It feels complete.
Better than theatrical release, but more to come in December August 4, 2009
J. W. Luther (Rolla, Missouri United States)
50 out of 50 found this review helpful
This edition is an improvement over the theatrical release and is closer to the book. My only disappointment related to this edition was that I opened the package to find a coupon for the ULTIMATE edition, which is to be released Decemberish. The next (and I hope final) version will have the Black Freighter story woven into the main story as it is in the book. If you don't want multiple versions of this film, hold off buying until the end of the year.
I agree with the other reviewers who note the film's ending is an improvement over the book's. It just makes more sense in the context of the story. This is not a knock on Mr. Moore, of whom I am a big fan.
I don't understand the folks who are so down on this film, unless it is that they just had the wrong expectations and/or didn't do their homework before watching it. It was never meant to be another Spiderman, Superman or Hulk story.
Kudos to Mr. Moore. Kudos for the team who produced this film.
This Is The Masterpiece We Never Thought Would Ever Happen March 9, 2009
The Great Rocky Hill (Pittsburgh, PA USA)
671 out of 822 found this review helpful
*SPOILER WARNING*
Let me be blunt.
Alan Moore should eat crow and be proud of this movie. "Unfilmable" it most certainly wasn't.
And the fanboys all need to take a laxative. This was in at least some ways better than the maxi-series/graphic novel, which will never be demoted from its status as a classic of its medium.
Aside from the overly graphic violence, a gratuituous sex scene, and Dr. Manhattan's needless nudity (he needed to wear pants, and seeing his genitalia added nothing to the plot)I really have nothing negative to say about Watchmen.
Let's diffuse some of the criticisms I've come across.
Yes, Matthew Goode was foppish as Ozymandias. He's supposed to be that way. He's not intended to exude menace. That's his style. A villian as sublime as Ozymandias is subtle. Coming across as overtly malevolent would have caused his plans to fail. His slender, Aryan appearance and slight German accent made him the perfect choice to play the type of foe who believes that the murder of millions is the only way to save the world.
Which brings me to the casting. There was not one actor who didn't fit their respective character like Rorschach's inkblot mask. The decisions made concerning who should play who were more accurate than any comic book movie I can think of.
Jeffrey Dean Morgan's Comedian was Burt Reynolds as a misogynist sociopath. It was as if the character himself was directly lifted from the pages of the graphic novel and given life. It was uncanny how Morgan captured this character's all too easy violence, his nonchalant, happy penchant for brutality.
I said in a review of Batman:The Dark Knight that Heath Ledger's portrayal of the Joker was unfathomably good, especially considering Ledger's teen idol pedigree.
Jackie Earle Haley's Rorschach dethrones Ledger's Joker in that regard. From out of some forgotten void, a former heart throb returns to play a madman akin to Robert DeNiro's Travis Bickle or Michael Douglas' William Foster. My money would be on Haley's Rorschach as Steve Ditko's right-wing Objectivist Mr. A, the analogue for Alan Moore and Dave Gibbons' character, is channeled with such a chilling and disturbed beauty. His guilt is blended with an intolerance as he claims that the dead heroine Silhouette met her fate due to being a lesbian. When Haley takes off the mask, things become even more unnverving as you see how "fascinatingly ugly" Walter Kovacs, Rorschach's alter ego is, inside and out. Again, having a former Tiger Beat hero play such a character was just remarkable to me. 20 years from now, people will never believe that Haley was once a Bad News Bear, and for that alone he deserves an Oscar. Seriously. His performance is more than enough to recommend this film to anyone.
None of the other performances disappoint. Patrick Wilson's Nite Owl also deserves mention as he nails down the David Brinkley (from Robert Mayer's obscure but very influential 1977 novel 'Superfolks') as Batman that Moore and Gibbons intended Nite Owl to be. He's awkward, stuffy, insecure, and rusty in crimefighting and life in general, and Wilson flawlessly gets that across.
As an aside, and us comics fans need to face this fact, the film versions of Silk Spectre, Nite Owl, and Ozymandias absolutely trump the comics versions in terms of design. Silk Spectre is sexier, Nite Owl is fierce, sleek, and punches his wonky-looking comics counterpart back to DC's Silver Age, and here Ozymandias is a Greek god compared to Gibbons' take.
Some people are complaining that Malin Akerman's Silk Spectre was dry, but I thought she was fine. In fact, she was just the right mixture of innocent and sultry and thusly kept with the spirit of not only Silk Spectre herself but also of the characters that inspired Moore and Gibbons to create her. Akerman was one mod version of Phantom Lady or Nightshade.
Remember, they're all analogues because if they weren't, we wouldn't have had any Blue Beetle or Question tales in the 80's.
Carla Gugino is quite the aging diva here. Her makeup job as a senior (The Silk Spectre's mother and predecessor) is so astonishing you'd think she was an unknown. In the flashback sequences she is the epitome of retro eroticism.
She sees herself in an underground porn comic and is flattered. Wow.
And speaking of unknowns, can anyone honestly think of any famous actors who would have done as well or better in these roles? Yet another reason why Watchmen is such a success. John Cusack as Nite Owl? Please.
So the casting was faithful as was the entire movie for the most part, thereby squashing another gripe the fans had. I'll even go as far as to say that Watchmen works so well because it is very faithful to its source material.
Yes, the ending is somewhat different, yet is pretty much the same. Ozymandias stages nuclear attacks instead of an alien invasion to unite mankind, "killing millions to save billions" as he himself would put it.
You know, when I read the Watchmen chapter in David Hughes' book "The Greatest Sci-Fi Movies Never Made," and saw that Sam Hamm didn't feel that the ending of the original comics story "worked" for him, I knew then and there that the makers of Watchmen the film weren't going to completely stick to Moore and Gibbons' vision. And that slight difference (it's just a parallel path to the same destination) only made for a better movie.
Alien invasions are not timely in any period, let alone this alternate Nixon-led 1985 or 2009. The threat of mutually assured nuclear holocaust is. If humanity is to be dealt a serious blow, it will be by humanity's own hand, not something from beyond our solar system.
What we have with the cinematic Watchmen, is what I believe we had with the original tale. It's a treatise on those who rule the world, masked as a superhero yarn, which in turn is masked as a murder mystery. It makes you think, and at the same time is mindful of that needed sense of wonder. It's scary, nihilistic, exciting, provocative, and its ending is as hopeful as it is troubling.
The tale of the Watchmen is like a railroad track that is built with the best of aims yet leads to nowhere but perdition. What will our elites do, or what are they above or not above doing to improve the human condition? Who in power can we trust? In the movie, we see Nixon, Kissinger, and other real-life malefactors who did what they did for personal gain. What of Ozymandias? What did he stand to gain? Did he really love humankind or have nothing but detached contempt for it? We see this with Billy Crudup's Dr. Manhattan as well, although Manhattan suffers from disappointment and heartbroken selfishness, whereas Ozymandias has this sense of birthright to save the world from itself by way of genocide.
I may need to dig out my copy of Watchmen the graphic novel as it has admittedly been a few years since I last perused it, but as a comics fan of 30 years, as someone who holds comics in the highest regard as an artform and recognizes the Moore/Gibbons masterwork as deserving of its status, I will state that Watchmen was more than worth the wait. One could even make a case that it's a better movie because it took so long to happen, that development hell aided in making it what it is.
And it bears repeating, Watchmen, with some minor and essential tweaking, is reverent of the comic book, and that reverence is another component that makes the movie so engrossing.
There was a time when I didn't think that a Watchmen film should be made. However, upon seeing the final product, I am left with some questions.
Why isn't Alan Moore rejoicing?
And why isn't comics fandom rejoicing along with him?
Even if you've never read a comic book in your life, I strongly recommend Watchmen. If it doesn't make you a fan of the comic book or of comics in general, then you didn't enjoy the film, and if you didn't enjoy the film, I have nothing left to say to you. If you think that your unfamiliarity with the characters, the fact that they aren't icons like Batman and Spider-Man, will hinder your enjoyment, remind yourself of the Hellboy phenomenon. Hellboy was a mid-level character that has never had an ongoing series and was published by a company that was not Marvel or DC. He has since been the subject of a pair of moviehouse blockbusters. Also be mindful of the the popular Men In Black franchise and its origin as an obscure independent comic book. From the looks of it, the heroes/villians (are they one and the same?) of Watchmen are about to join that club.
If you are a comics fan and haven't seen it yet, leave the nitpicker in you at home, allow yourself to be surprised in the best way possible, and go ahead and be a little smug as the closing credits roll. You deserve it for being so far ahead of the curve.
A monument of comics finally has a cinematic counterpart. Hold your head high.
 First and Last of its Kind July 26, 2009
Kevin J. Pallotti (CT USA)
10 out of 10 found this review helpful
Let's begin by offering a nutshell summary for those not familiar with this material. This film is an adaptation of the legendary graphic novel "Watchmen". It was a watershed for the comics industry. It brought existentialism, societal pertinence and a healthy dose of science fiction to a medium that was becoming dull and predictable. This is a "what if" story that generates an alternate 1980's America in which costumed vigilantes have altered the course of history. What is interesting about this? It's not always for the better.
I'll leave the details alone for you to uncover. They're simply too compelling to explain to you in a review, you deserve more. Now on to this film. This movie is both the first and last of its kind. It is the single most loyal adaptation of any comic book/graphic novel that has ever been done (I'm including '300' and 'Sin City' in this). Almost all of the images presented here appear to have been lifted out of the book's original panels. Any additions or changes are so respectful that they might as well have appeared in the book. Fans of the graphic novel will have a field day picking out the dozens of visual easter eggs that allude to memorable details from the graphic novel. This simply hasn't been accomplished on this level in any other comic based film we've ever seen.
The action sequences in the film are not quite as loyal. To light some fire under the story, Zak Snyder chose to unleash his unique brand of visceral stop-go violence on the film and it fits here just fine. It does the most justice to the opening scene that depicts the assasination of the 'Comedian'. It is operatically set to Nat King Cole's 'Unforgettable' as if to say; "we love you Watchmen". A warning though, some of the violence is excessive at points and may disturb the weak of stomach. So heads up.
For those who saw this in the theater, the director's cut adds 24 minutes to your original experience. Mostly, it's a little more here, little more there. But there is the wonderful addition of Hollis Mason's death. That addition alone is worth picking up the extended cut. In the book, it's made out to be a tragic ending for a sweet old man. Here though, Hollis is given a wonderful chance to re-live the golden days and bust the heads of all the bad guys he's fought in his career one last time. It's visually intriguing and, even though it ends badly, it will put a smile on your face for the lovable ex-hero.
The Blu-Ray itself contains 3 additonal videos that praise the original book, look back on the history of vigilantes in the U.S. and examine the science-fiction presented in the story. They're fun supplemental add-ons to the film that enrich the experience. Then there's the "Mega Movie Mode" where Zak Snyder explains the movie to you as it plays. I haven't personally checked that out, but it sounds like a cool way to get insight on the film's creation. Overall, strong set of bonus features here.
This has gone on longer than I intended, so let's rap this up. This is a unique film that provides a gorgeous interpretation of what Time Magazine called one of the 100 best novels of all time. It's loyal, intense, violent and surprisingly thought provoking (another element preserved from the graphic novel). So why did I call it the first and last of its kind? Sadly, the film did not achieve great mainstream success, grossing just barely over $100 million. Maybe it's the deconstructivist themes, the violence or its lack of commonly recognized characters (i.e. batman), but one thing's for certain, it never will. Films like this one don't ring out as popular masterpieces. They find an audience that loves them and they stay near and dear to the heart. If you're a fan of the book or someone who's willing to experience something radically different from your typical cinema experience give it a shot. Otherwise, this wasn't meant for you.
"You don't understand... I'M not locked in here with you... YOU'RE locked in here with ME." June 28, 2009
S. Wik (AZ)
50 out of 63 found this review helpful
Destined to become a classic, Watchmen is like no superhero movie you've ever seen. It reveals in an incredibly believeable way, how anyone who would choose to run around in a costume beating people up must be some sort of zealot/fetishist/psychopath. remember that nobody save for Dr. Manhattan has any superpowers, and you'll understand what I mean.
It also shows how the existence of people like this would have altered the course of history in obvious and subtle ways. Nixon campaigning for a fourth term? Awesome. And now we know who was behind JFK's assassination (and who carried it out!) Don't miss the cameo by "Lee Iacocca"! LOL
As for the fanboy whining (and to be honest, I haven't seen very much of that, but I'll address it anyway because it's fun) I've been a huge fan of Watchmen since it was originally published in the mid-80's and I have to say EVERY change they made for this film was an improvement! Trust me, I'm shocked that I'm saying that, but it's true.
Rorscach's "origin" retains the coolness of him "becoming" Rorschach years after he misguidedly thought he already was, but is FAR more powerful as portrayed in the film. It makes more sense than the scene in the comic and brilliantly does away with the Mad Max ripoff with the handcuffs and the hacksaw.
The new ending is more poignant, makes far, far more sense, and even ties together strands from the original comic's plot (especially those involving Ozy and Dr. Manhattan) in ways so much more clever than the original, that Moore should be kicking himself for not having come up with it himself.
Can't wait to see the Director's Cut!
Showing reviews 1-5 of 532
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